Pororoca: abraz(ç)o de río y mar is a project co-designed and developed by Catalina Mejía Moreno, Felipe Arturo and Gabriela Leandro Pereira and a multiplicity of voices and beings in Brazil, Colombia and the UK, following Catalina’s grant award in 2023 by re:arc Institute Public Discourse fund.
Pororoca, from the indigenous Tupi word ‘porórka,’ means ‘the great roar.’ A roar that can be heard when tidal waves of the ocean reach the mouth of a river. Pororoca, also known as the endless Amazon tidal bore, is born when the Atlantic tide pushes back against the river current creating a rise of water transformed into big waves. In other words, Pororoca is an embrace between sweet and salt waters, rivers and oceans; an encounter between two bodies of water merging into one.
Within the liminal space of the Pororoca many worlds come together, collide and merge. Waters from rivers bring with them the geological memories of continents, sediments of (neo)colonial and (financial, racial and other) capitalist models. Waters from the oceans bring currents of transnational commerce, oceanic waste and migratory routes embedded in our past and present. Waters from rivers and oceans bring with them traces of the climatic disaster driven by late capitalism and at the same time cosmological substances of ancestral memories and future possibilities. In their encounter, Pororoca exchanges and mobilises sediments that are critical and reparative. While Pororoca is a collision, it is also a dislocation and a resolution of a primal and contemporary conflict: what water brings is also what water can change.
This map - or counter-map- illustrates the geographical relationship between three river systems central to the Pororoca project: the Río Magdalena in Barranquilla (Colombia), the Rio Paraguaçu near Salvador (Brazil), and London's River Thames. The map's distinctive orientation emphasizes how these Atlantic-facing waterways connect to their respective seas—the Caribbean, South Atlantic, and North Sea—highlighting their shared maritime heritage despite their intercontinental distances. By Nica Rawhani-Sabet, 2024.
Pororoca encourages carving out space and time
to nurture situated dialogue and architectures of listening
to be attentive to colliding bodies and entities living alongside and with
colliding waters
Pororoca as prompt, a reality and a metaphor, pays attention to
the remnants and existing colliding forces of (neo)coloniality and imperialism
and to existing and countering site-specific practices, experiences, livelihoods that are nonlinear, plurivocal, and imperfect
Pororoca foregrounds the entanglements of
embodied,
spatial,
architectural,
urban and
territorial waters
Pororoca acknowledges the need
to expand understandings and sensibilities
to focus on re-awakenings and re-tunings to socio ecological pasts, presents and futures of brackish bodies of water
to nourish, to be grateful, to heal, to return and
to reclaim
